GR OnlineI had such fun doing the project, which was sort of like organised yarn bombing... It was a project for a specific area, a swimming hole in a small town outside of Warrnambool, and I created floating waterlilies that went in the pond as well as birds and nests and things that went in the trees – about half-a-dozen pieces.

IntroductionThe pieces in this edition mine the social, cultural and emotional ramifications of our shifting relationship with reality: the power of deepfakes, the possibilities of AI-generated art, the changing face of cosmetic surgery, the performance of pornographic pleasure, the dangers of corporate greenwashing, the allure of conspiracy...

In ConversationThe ’50s were a time of tremendous optimism and energy, yet they also had a dark underbelly...

In Conversation think we should be proud of where we come from and be proud of what this country can offer us. We’re unique in our food culture here – we should be embracing it, and we should ask for native produce.

In ConversationUsing identical, machine-made food items accentuates the traces of consumption. In works where participation is open to the audience as co-creators, I have found there’s not just one way to consume...

IntroductionI’m still pleasantly mystified by our obsession with food – our need to talk about it, remember it, photograph it and analyse it, to eat our feelings and compare our lives to buffets and boxes of chocolates.